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The Alabama birthplace of W.C. Handy, father of the blues

© by Peter Johansen (Travel Writer, Troy Media)

W.C. Handy Trumpet

W.C. Handy, became a well-known trumpet player who graced the stage of Carnegie Hall


Florence, Alabama/ Troy Media/ - It may be in St. Louis, Memphis and New York that W.C. Handy popularized the blues. But it's in Florence, Alabama, that his musical journey began.

Dubbed "The Father of the Blues," Handy was born in 1873 in this city whose population is closing in on 40,000. The family's two-room cabin, built of white poplar and wormy chestnut, is today the hub of a museum that celebrates the composer of such classics as Memphis Blues and St. Louis Blues.

The latter, published in 1914, has been recorded by artists as diverse as Bessie Smith, Benny Goodman, Merle Haggard and the Boston Pops Orchestra. The former tune gave rise to the foxtrot.

Handy played Carnegie Hall and two world's fairs, received a Grammy Award for lifetime achievement, was subject of a commemorative postage stamp, and received American culture's ultimate accolade - a film about his life; he was portrayed by Nat "King" Cole. When Handy died in 1958, more than 150,000 mourned outside the Harlem church where his funeral was held.

But all that nearly didn't happen, says curator Sandra Ford as we tour the reverently curated museum filled with artifacts covering Handy and his work.

The composer's first instrument was a guitar, she says, bought from the money he made as a teenager by selling lye soap. His father, a pastor in the black American Methodist Episcopal church, thought everything but an organ was the devil's instrument, so he ordered his son to return it.

"Now, W.C. Handy was an obedient child," Ford says, "but I'm sure when he took it back, he said to himself, 'Someday I'm going to be a musician.'" He learned to play the organ and then cornet, and joined a local band, a fact he hid from his parents.

A musical career was nearly scuppered, however, when Handy opted to become a teacher. He successfully passed a teaching exam and was offered a job. "But once he found out the teacher's salary, he chose not to teach," Ford says with a smile that betrays her own status as a retired teacher.

Handy eventually joined various touring bands, such as Mahara's Colored Minstrels, and travelled throughout the United States. That experience exposed him to rural music, which he was able to later recall and transcribe. "Handy was not the first to play the blues," Ford explains, "but he was really the first to write it down and publish it and bring it to a national audience."

The museum features a variety of objects depicting phases of Handy's career. They range from the musical boxing gloves and ankle bracelets used by that early minstrel band to a poster of W.C. Handy Week, organized by New York City in 1957.

There's the original script of that Nat "King" Cole film, Braille sheet music for St. Louis Blues, an ashtray marking his appearance on the popular television series Person to Person, the school bell used by his grade school teacher, his appointment books and diaries, family photos, several walking canes, the piano on which he composed many famous works, and his trumpet, the instrument for which he eventually became most famous.

Perhaps most startling is an Alabama state proclamation for W.C. Handy Week. It's signed by the governor of the day, George C. Wallace. Ford tactfully remains silent when asked what she thinks of the noted segregationist honouring a black man.

She finishes the tour with what she calls the museum's high point: the two original rooms of the Handy home ' a dining area and a large bedroom ' that retain many of the original furnishings, from a hooked rug of Jesus on the dining room wall to a cradle at the foot of the parental bed.

A glorious Sunday morning dawns a couple of days later, my last day in the area. I can think of nothing more meaningful than attending service with the congregation once served by W.C.'s father and grandfather. After all, Greater St. Paul African Methodist Church, just around the corner from the museum, is still active.

I'm warmly greeted by both the Rev. Agnes Lover, a dynamic preacher and singing leader in the revival-tent tradition, and her congregants, who recognize a stranger in their midst and go out of their way to welcome him with handshakes and smiles.

Music - the anthems of a seven-person choir, the congregational hymn-singing, the quiet piano that underscores each prayer and scripture reading - is the highlight. And, I think, it praises God, not the devil, even if the piano is accompanied by guitar and drums.

It must be enough to make W.C. Handy chuckle and his dad, the preacher, wail.


The above background is the Saint Louis Blues sheet music courtesy of The University Of Alabama


Guide Selena Hardin leads a tourist through the exhibits  The piano on which W.C. Handy first played such classics as St.Louis Blues  The W.C. Handy Home and Museum in Florence, Alabama  W.C. Handy has been called The Father of the Blues



Peter Johansen taught journalism at Ottawa's Carleton University, and has written for many Canadian outlets including the Ottawa Citizen, Montreal Gazette, Inns Magazine, The Toronto Star, The United Church Observer And Canadian Geographic Travel. He writes a column that's syndicated across Canada by Troy Media, based in Calgary.




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Peter Johansen

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If you go
Florence, Alabama is a city in and the county seat of Lauderdale County, Alabama, United States, in the northwestern corner of the state. According to the 2010 census, the city's population was 39,319. Ranked as the fifth safest place to live in the nation, The Shoals is perfect for your future vacation or retirement!

W.C. Handy has been called The Father of the Blues

Florence's website says: "This is Southern Living at its best. This is how life is supposed to be. From the houses on the bluffs overlooking the Tennessee River to the beautiful and historic homes in the city's downtown area, life in Florence is full of beauty"

Sit back and enjoy: saxophone jazz.
Sit back and enjoy: the blues.

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